Personal Statement on Art

The power of art lies not in merely reflecting reality but in actively shaping and calling it forth. Art is not passive; it is a generative force, capable of conjuring otherwise hidden truths, and forging connections that transcend our everyday existence. In an age starved for meaning, art answers our longing for connection … revealing, through the potency of visual and poetic form, a reality charged with vitality, significance, and spiritual resonance. Art does not merely speak; it enacts. It creates the world anew, inviting us into spaces of luminous clarity and depth, where fragmentation yields to unity, and disenchantment gives way to wonder. Art is not ornamental or secondary, or merely a matter of “subjective” entertainment. Rather, it stands as a fundamental act of human engagement—a transformative practice that reconnects us with ourselves, each other, and the vast, ineffable cosmos that surrounds and sustains us.

For me, art is personally redemptive. Born behind the “Iron Curtain”, during the “Cold War”, amidst cultural and political repression that stripped away my family’s identity and traditions, I was shaped by a profound spiritual void. As I navigate adulthood, supported by my family and confronted by personal illness, I strive to reclaim spirituality not through formal religion but through thoughtful, intentional engagement with art. Through my creative practice, I seek glimpses of the sublime, continually working to re-enchant my world.

My photographic education began early, in childhood, during my family's refugee years in North Africa. I recently realized that, even back then, I had some inkling that the camera is more than just a tool for documenting the external world. And by now I’ve come to believe that photography has the potential, as it were, to capture the “world behind the world” … to connect us with the hidden, the mysterious, the uncanny … to approach the sacred. Each project deepens this spiritual pursuit, inspired by artists such as Minor White, Kandinsky, and filmmaker Andrei Tarkovsky. My philosophical outlook owes much to Charles Taylor, my professor and mentor during my undergraduate studies at McGill University, whose teachings on identity and spirituality continue to shape my journey as an artist.

Statement on Portraiture

We often hear that the point of portrait photography is to capture the subject's essential "character" or even, in some sense, to embody their "spirit" or "soul." I think this is impossible. Instead, the point is to provoke interest in the subject ... to induce intense wonder, on the part of viewers of a portrait, about the character or even the "spirit" of the person behind it. This is achieved when the portrait avoids bringing the subject fully into view, as it were, under a glaring light. A compelling portrait leaves core aspects of the subject partially obscured, ideally through some form of visual abstraction. The ultimate meaning of the portrait image ought to remain elusive ... and hence open to further inquiry.

When it comes to my own work, I focus on creative portraiture, editorial-style work and related fields. I often use unique lighting techniques and try to emphasize shadows, as much as light, by way of sculpting form and figure in order to add a sense of intrigue and intimacy to my images. I also often apply non-generic colour grading, mainly in order to create an atmosphere that is complimentary to my subject's character … but also, again, to induce attention. 

I aim to present my subjects in ways that emphasize their inner strength and dignity, and I often try to capture them in contemplative, thoughtful or meditative moments. … I strongly believe that interesting and intriguing portraits are more compelling and worthwhile than strictly “beautiful” captures.

I'm available for commissions and am able to serve both private individuals, as well as commercial/institutional clients. 

EXHIBITS/SHOWS

  • Lens Gallery (Toronto), Group Show (2008 Summer Show), “Visual Records of the Urban Dweller” 

  • Spectra, Gallery 44 (Toronto) Members Exhibition  (2022 Fall Show), “Of Place or Position or Posture”

  • Gallery 44 (Toronto) Annual Member Show (Summer 2024), Open Theme

  • New Orleans Photo Alliance (New Orleans) Group Show (Fall 2024), “Abstract/Sur-Real”

  • Artsy Online Solo Show for 2023, “Artificial Spaces” [via Berenson Fine Art Gallery (Toronto)]

  • Artsy Online Group Shows for 2023: “Summer Set”, “Toronto Views” and “CHIAROSCURO” [via Berenson Fine Art Gallery (Toronto)]

  • All About Photo Magazine, Online Solo Exhibit for June 2024, “Reimagined Landscapes: Iceland”

  • Decode Gallery (Tucson, AZ), Group Show (Fall 2024), “Grayscale”

  • Echos Studio (São Paulo, Brazil), Group Show (Fall 2024), “Singular” 

FEATURES + AWARDS