Personal Statement on Art
Artwork is powerful because it is more than just a mirror of nature. It does not merely reflect reality, it actively shapes and calls it forth. Art is not passive, it’s constitutive … it is a generative force, capable of conjuring otherwise hidden truths, and forging connections that transcend our everyday existence. In an age starved for meaning, art answers our longing for connection … revealing, through the potency of visual and poetic form, a world charged with vitality, significance, and spiritual resonance. Art creates the world anew, inviting us into spaces of luminous clarity and depth, where fragmentation yields to unity, and disenchantment gives way to wonder. Art is not ornamental or secondary, or merely a matter of “subjective” entertainment. Rather, it stands as a fundamental act of human engagement … a transformative practice that reconnects us with ourselves, each other, and the vast, ineffable cosmos that surrounds and sustains us.
For me, art is personally redemptive. Born behind the “Iron Curtain”, during the “Cold War”, amidst cultural and political repression that stripped away my family’s identity and traditions, I was shaped by a profound spiritual void. As I navigate adulthood, supported by my family and confronted by personal illness, I strive to reclaim spirituality not through formal religion but through thoughtful, intentional engagement with art. Through my creative practice, I seek glimpses of the sublime, continually working to re-enchant my world.
My photographic education began early, in childhood, during my family's refugee years in North Africa. I recently realized that, even back then, I had some inkling that the camera is more than just a tool for documenting the external world. And by now I’ve come to believe that photography has the potential, as it were, to capture the “world behind the world” … to connect us with the hidden, the mysterious, the uncanny … to approach the sacred. Each project deepens this spiritual pursuit, inspired by artists such as Minor White, Kandinsky, and filmmaker Andrei Tarkovsky. My philosophical outlook owes much to Charles Taylor, my professor and mentor during my undergraduate studies at McGill University, whose teachings on identity and spirituality continue to shape my journey as an artist.
Statement on Portraiture
We often hear that the goal of portrait photography, ideally, is to maximally capture a subject's "essential character," or perhaps even to embody their "spirit" or "soul." This is a beautiful but unrealistic sentiment. Instead, the point is to provoke interest in the subject ... to induce intense wonder on the part of viewers.
This is achieved when the portrait avoids bringing the subject fully into view, as it were, under a glaring light. A compelling portrait leaves some core aspects of the subject partially obscured, ideally through some form of visual abstraction. The ultimate meaning of the portrait image ought to remain elusive ... and hence open to further inquiry.
My long years of studying philosophy have left a mark on my photography, and so I aim to infuse a lyrical, contemplative quality into my visual storytelling … I strive to create images that resonate both on an emotional and intellectual level.
I often partially shroud my subjects, via layers of abstraction, e.g., by using reflective surfaces, blurred motion, visual diffusion, etc. ... and I sometimes introduce surrealistic elements. I often use unique lighting techniques and try to emphasize shadows, as much as light, by way of sculpting form and figure in order to add a sense of intrigue and intimacy to my images. I also often apply non-generic colour grading, mainly in order to create an atmosphere that is complementary to my subject's character … but also, again, to induce attention.
I avoid revealing subjects under stark, sharp illumination that makes them immediately and fully present. Instead, I want viewers to look more closely and to wonder about the person beyond the frame.
Simply put, I aim to foster a richer interpretive experience ... to allow the subject’s persona to come through more quietly, yet with greater intensity ... thereby also generating an emotional and imaginative dialogue with the viewer.
I aim to present my subjects in ways that emphasize their inner strength and dignity, and I often try to capture them in contemplative, thoughtful or meditative moments. … I strongly believe that interesting and intriguing portraits are often more compelling and worthwhile than strictly “beautiful” captures.
I'm available for commissions and am able to serve both private individuals, as well as commercial/institutional clients.
EXHIBITS/SHOWS
Lens Gallery (Toronto), Group Show (2008 Summer Show), “Visual Records of the Urban Dweller”
Spectra, Gallery 44 (Toronto) Members Exhibition (2022 Fall Show), “Of Place or Position or Posture”
Gallery 44 (Toronto) Annual Member Show (Summer 2024), Open Theme
New Orleans Photo Alliance (New Orleans) Group Show (Fall 2024), “Abstract/Sur-Real”
Artsy Online Solo Show for 2023, “Artificial Spaces” [via Berenson Fine Art Gallery (Toronto)]
Artsy Online Group Shows for 2023: “Summer Set”, “Toronto Views” and “CHIAROSCURO” [via Berenson Fine Art Gallery (Toronto)]
All About Photo Magazine, Online Solo Exhibit for June 2024, “Reimagined Landscapes: Iceland”
Decode Gallery (Tucson, AZ), Group Show (Fall 2024), “Grayscale”
Echos Studio (São Paulo, Brazil), Group Show (Fall 2024), “Singular”
BBA Gallery (Berlin), 10 Year Anniversary [Group] Exhibition (May 2025)
Artsy Online Group Show, “Anniversary Exhibit” (via BBA Gallery)
Gallery 44 (Toronto), Almanac Group Exhibition, July 2025
FEATURES + AWARDS
All About Photo Magazine (Iceland Solo Exhibit and Architecture)
ND Awards (Architecture and Conceptual)
B+W Spider Awards
Dodho Magazine (Best Portraits of 2024)
Art Room Gallery (Online)
Grey Cube Gallery (Online)
Lensculture (Editor’s Pick)
PhotoVogue
Motif Collective (Finalist)
PLAKAT magazine
Tokyo International Foto Awards (Gold Award)